Author: Mischa Mathys

What L.I.E.S have brought to the world of dance music is the punk approach that was desperately needed to refresh the slick, impersonal productions of the first decade of this century. Ron Morelli’s label brought a raw edge to personal music, made by real people that evaded standardised forms of

It’s taken Louis Carnell some time to find his true artistic voice as Visionist. His first few releases, although visionary in their own right, were innocent Grime works, finding their feet in the dissolution of Dubstep in London. Louis’ work as Visionist was the product of a newborn scene growing

There was sense of anguish in the music that featured through out the Ultima festival, some unspoken bond between the different pieces I witnessed that tended to highlight unease over their subject matter, Nature. Thus far I’d witnessed the creepy extent of the “people in the corn belt” and the

On my way to Ultima’s evening event on Tuesday I’m cursing the weather. I had taken a risky chance when the wet weather looked like it had dissipated, and was rewarded with a shower of that dwarfed Niagra falls. Raindrops, the size of golf balls splashed down, and up at