Listen: We, the Transposed

February 2016 saw the first performance of  We, the Transposed, a collaboration between Cape Town-based dance company Darkroom Contemporary and Mischa Mathys (The Formant). The sound/dance installation featured processed field recordings taken from Johannesburg and transposed to Youngblood gallery as a spatial sound installation, which was then interpreted into movement by

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Out of the Woods – A Q&A with Gidge

There’s something stroking dissonantly at the thin threads that separate music from nature. A creaking percussive part snaps like a load bearing branch, straining under the pressure of an icy wind blowing through synthesised corridors. Somewhere a piano is tentatively searching for a way to express what it’s feeling and

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Resonating – A Q&A with Abstraxion

Abstraxion, the artistic moniker of French producer Harold Boué, has been a reserved purveyor of serious club music since 2005. His label Biologic Records, which he runs alongside Diego Cortez Salas (DC Salas) out of London, has developed alongside the producer as a formidable force for serious club constructions and

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