Patten – Estoile Naiant

At Patten’s recent Somewhere Else appearance I had my first encounter with this exciting artist. His glitchy Dj-edit set was as interesting as it was enjoyable. All to happy to please the dancing enthusiast with kicks and snares, he also constantly moulded sonic tapestries by stringing samples together, overlapped with

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Untold – Black Light Spiral

There’s a trend amongst the electronic music community of late to transplant their works into fine art establishments. I’ve been watching this unfold steadily over the last few years and the results are broadly innovative for music in general. Events like Sound It Out in collaboration with Boiler Room are

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Danny Daze – Silicon

In a recent set for Boiler Room, Jimmy Edgar dropped a massive track that immediately stood out for me. It was a mix of that unmistakable Detroit sound, with an electroclash attitude. At first I thought, this track could only be produced by Jimmy Edgar himself, but then the tag

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Presk – Saluki

Presk is back with another EP on Dok Daneeka’s Ten Thousand Yen Label. Saluki cites the Dutch native, Pieter Willems’ influences as it troll’s through aspects of House, Garage and Techno on his first release since 2012. It’s all remarkably held together with a made-for-dancing atmosphere, which shines a bit

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Graze – Edges

Between the space of opening presents and working off the January hangover, not much happens in the world of music. The nightclubs however are still full and the DJ’s are continuously looking for new music to surprise their audience with, so it’s a wonder more artists don’t follow Graze and

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Logos – Cold Mission

According to the OED grime is:  “A form of dance music influenced by UK garage, characterised by machine-like sounds.”  “Machine-like sounds” seems a bit trite and could characterise anything from techno to drone music. No, Urban dictionary seems to have a better understanding of the genre: “It’s the inner city

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