Omformer establish new UTE.REC sub-label, Sinesis with an hour-long ambient work in the traditions of slow tv and a lively Trance stomper Sine01.
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Exploring the innovative career of Wendy Carlos.
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Third Attempt finds a way off the dance floor and some quietude in the noise on his latest album, World is too loud. We talk to the artist behind the album about this latest evolution in his work.
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Yet another remarkable release from a prolific artist, as EOD goes viral on his latest, impromptu EP.
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Peder Simonsen from the microtonal tuba trio, Microtub talks in depth about the physicality of the harmonic series, Robin Hayward and the working outside traditions on their last LP Chronic Shift.
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Rather than simply rehashing the past, Ute.Rec have found something worth re-evaluating in a style of music that has been largely dismissed on Groundcontrol.
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Øyvind Morken finds optimism in dreary times, with his latest for the Full Pupp catalogue.
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Out of the murky synthetic texture of acidic bass contortions, reckless break beats arrangements and crisp, stabbing chords, emerges the Glaswegian producer, Alexander Hay as The Burrell Connection. Releasing a record a year since 2015, Hay has tentatively introduced the world to a sound which in 2018 hit its stride
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After a few long playing collaborations on Honest Jons, Shackleton returns to the EP format and his own label Woe to the Septic Heart! with the double header Furnace of Guts / Wakefulness and Obsession. The concept driven collaborations that preceded this release with of Anika, Ernesto Tomasini, and Vengeance
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Joy O (Joy Orbison), his music, his labels and his DJ sets, is something of an enigma. There’s something indistinguishable but refined in his collective works that eludes classification, but somehow defines his work. There’s usually a moment of illumination when you realise a track is a Joy O track,
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