Suryummy – Photon Slobber

In the immediate future, nostalgia resides. It’s our future in retrospect, almost concrete but still exotic enough for uncertainty to remain. It’s here where Emmett Feldman’s Suryummy project lives, a musical construct that retrofits the future with a sound from an intangible past, intangible because it’s never existed. Surryummy occupies

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Kingdom Come: A beige noise

I haven’t felt this dismayed about electronic club music since House music moved into “lounge” bars in the summer of 2004 and joined forces with jazz in one of the genres more shadowy periods. It was a summer fedora-wearing pseudo boho chic “artists” forcing an improvised pedestrian saxophone, or some

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Resonant Sounds

We err on the dark side, with beats bearing teeth and sonic landscapes that’s dark and ominous in their delivery. These are the records forged in the brimstone basin of perdition, delivering punishing blow after blow and negating the obvious without straining the listener’s conscious capacity. These are records made

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Marc Kate – Deface

A dissonant miasmic drone sweeps across Marc Kate’s Deface reducing the sharpened peaks and jagged troughs of his source material to a innocuous wispy ebb. The album hides an uncomfortable eerie dissonance in its sonic wake with the Californian artist yet again examining some socio-political discourse through his music. A

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Resonant Sounds

In a world where anything is available at your fingertips and mass consumerism and media has gentrified music into pre-defined packages, digging for new and interesting music has both gotten easier and harder. We constantly have to wade the shit to find those hidden gems, but with the internet we

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